The consequence is that this work gives an impression of flatness, on the flat surface of which all the objects are given an identical pictorial realisation. The power of this realisation is such that it is not spatially clothed in grdations of light such as we see in thr Impressionaism.

Contrast of forms

Can one really assert that these two eminent artistic thinkers brought to their work neither "intellect" nor "emotion"?