CASE 0: SEUNGHEE LIM

::::::::::::::::::::::::::::::::::::::::::::::::::::::'In Man Ray's account, "Duchamp simply took off his coat and hat, putting it on the figure as if it were a coat rack. It was the least conspicuous of the mannequins, but most significant of his desire not to attract too much attention." Despite the apparent casual-ness of this entry, one should look beyond Man Ray's appraisal. He does not mention her vest, tie, or clunky over-sized men's shoes, details that all mag-nify her absence of pants.' (Kachur Lewis, Displaying the Marvelous, 2001, p.47)::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::[I WANTED TO SHOW THIS AS ORDINARY AND REJECT A CONCENTRATED JUST FOCUSED ON AESTHETIC OF BEAUTY.]:::::::::::::::::::::::::::::::::::::The objectification of every-day use objects. ::::[especially] my first collection is focused on the relativity between the generic frame of ready-meal case and the point of my own view to see the world.:::::::::::::::::::::::::::::::::::::The conditions of now-a-day’s material reality is about functionalism::::Categorized by work-wear as the form of technical and functional solution. :::::::::::::::::::::::::::::::::::::The stitch and fasteners should visible like the inside of machine to show the logical structure of cloth.