Everything started in Empoli the town where I was born and I grew up, by the
meeting with Sister Liliana, an amazing woman that opened me a new vision of thinghs, for example the hair, that is a point of attraction and desire, they are God promises to and for this reason the nuns don't want to show her hair. I reflected about the spirit of the people and about the spirit of the clothes that we wear up and the value that assumes because the clothes that we wear have to elevate our soul to rise to God. I was also very fascinated by their religious clothes from the noble French woman of 1800, Santa Emilia founder of the Sisters Josephan.
The dress elegant and impressive in all its forms, straight lines, precise, clean, chaste and full of symbolism. Everything that actually' I am, also due to the technical part of mine coming from my studies in engineering, but, at the same time, has has that romantic touch, such as the processing of their little headgears, and that thanks to Sister Teresa that preserved the only machines to achieve them. Thanks to these machines I was able to make some tests and I can use the work in the collection.
Another feature of “The promises to God “ is my grandfather’ s teaching, Duilio Susini, one of the first fonders of cooperatives, his aim of achieving a cooperative where only the union of the people could achieve the goal of a market pure, simple, with quality and without additional costs.
Sush as for the bases of cooperatives also for the tailoring is important to study the bases of the structures.
For this reason I want to point up the work of a florentine contemporany artist
Daniela De Lorenzo who developed casts of bodies dissected that can stand alone.
“ The body is exhausted because time no longer exists as an orderly follow of ‘before’, ‘now’ and ‘after’, but is just an instantaneous and infinite ‘now’”.
My style is minimalist, clean, simple, static, but at the same time full of romantic
details and rich of meaning.
